I worked with an indie filmmaker called Mark Williams, a lawyer who was making a zero budget family drama called Move Me. Even when he wrote the short, Balaji was aware of the feature film potential in it. I made two short films in the U. A romantic comedy to be produced by C. The first script I narrated was Jigarthanda. Maybe the only thing common in all films is this:
From art direction to production management, handling extreme stress and high pressure. The grand finale is scheduled this month and season 5 call in and auditioning has already started. They are all extreme fantasy situations made plausible and believable. With their unusual take on modern lives, Balaji Mohan, Karthik Subbaraj and Nalan Kumarasamy have made it big through the small screen. Nalan was into event management and real estate and all set to start his own business when he heard about Naalaya Iyakunar. Learning from the show: He made a short called Kanavu Keertanai that got him selected to Naalaya Iyakunar.
I met a lot of producers and made many contacts through the show and the guidance from the judges Madhan and Pratap Pothen was invaluable. Sound design, working with a crew, handling budget.
I had some money from my savings and my parents supported me. Balaji participated in a National reality show Gateway in Maybe the only thing common in all films is this: But honestly, I try to avoid a signature. I want finaps keep jumping genres and avoid repetition.
Printable version Feb 26, 7: Learning from the show: Sundar, an executive producer who worked with CV Kumar put me in touch and he liked my films. I am glad my parents supported me. It took me a year in all to turn it from a short film script to a viable iyakunsr film with Siddharth. We met Balaji, Karthik and Nalan for coffee at Sathyam Cinemas to talk about how they made it big through the small screen.
Another pulled the rug from under our feet with an unusual horror thriller called Pizza after a dinals of short films and assisting an American indie filmmaker when he grew tired of his software job.
Future Stock – The Hindu
They tell Sudhish Kamath how Naalaya Iyakunar, a privately iyakkunar reality show, helped them realise their dream One gave Tamil cinema a fresh urban modern romantic comedy by turning his much-acclaimed short film Kaadhalil Sothappuvathu Yeppadi into a feature when he was just nawlaya Nalan was into event management and real estate and all set to start his own business when he heard about Naalaya Iyakunar. With their unusual take on modern lives, Balaji Mohan, Karthik Subbaraj and Nalan Kumarasamy have made it big through the small screen.
Karthik worked in a software company in Bangalore and made short films during weekends. Connected by a TV show that made it possible. May 30, I spent about 15, per film on an average.
Thaman approached him for music, cinematographer Nirav Shah saw it and recommended it to S Sashikanth of Y Not and when they approached Siddharth, they realised even he had seen it and was keen to do it.
Naalaya Iyakunara iyalunar produced reality show, on Kalaignar TV is now gearing up for its fifth season and has received 2, entries including 50 international applicants already with over two weeks to go for the deadline September 20 thanks to the success of the filmmakers from its first naaalaya — Balaji Mohan KSYKarthik Subbaraj Pizza and Nalan Kumarasamy Soodhu Kavvum.
He made a short called Kanavu Keertanai that got him selected to Naalaya Iyakunar. I worked with an indie filmmaker called Mark Williams, a lawyer who was making a zero budget family drama called Move Me. I want to do all genres, no reservations.
I had a small crew, with just a couple of assistants and my parents would come to help out on the set. Kumar that he is still scripting. I had worked on it for over six months and after I met Sashi, we spent another six months developing it.
I learnt the basics during a one-day workshop called Film Camp Sanjay Nambiar. Links to short films: Nenjukku Neethi iyaunar, his entry for the final round, made him win the first season of the show.
I am a Guy Ritchie fan and was thinking of making a gangster film when my writer-friend Srinivasan suggested I could take the kidnap knot from my short film Enna Nadanthathu Na and turn it into a full film. There will always be iyakumar comic elements. Ended up spending an average of 40, to 50, per film. In fact, KSY was the least expensive.